I also told my wife, Ellen Snortland, that it is my desire to one day do a show with her that takes advantage of at least HALF of everything QLab can do. Having the greatest accuracy and flexibility imagineable, and at the same time the smallest equipment footprint I've ever had, is truly a lifesaver. Everything is handled through the software, we never see a little "play" or "pause" graphic on the screen (all DVD players do them), and I can hit visual and audio cues with laser-sharp accuracy… even down to a SYLLABLE inside a word my wife is saying! It's everything I always wanted, and didn't realize it.Īs we are about to do the show for a solid month, every day at 5:30 pm at the Edinburgh Fringe Festival - and I've already been informed the booth barely holds one person - you can see what a relief QLab is going to be. NOW… thanks to QLab? All I need is my MacBook Pro. And if we were in a particularly cramped booth (aren't they all?) it was even more unwieldy.
It worked, I got by with it … but it was not an elegant solution. And I would be cueing the lighting operator at the same time, typically sitting next to me.
Qlab 3 license portable#
Since this was my first foray into theater (my primary field of expertise is music for film and TV), I was using my MacBook Pro and a portable sub-mixer (for added control) to run the sound cues via iTunes with my other hand I was pushing the pause button on a DVD player. I am the production coordinator and sound designer for my wife's Pulitzer Prize-nominated solo show "Now That She's Gone," which we've been doing theatrically for the last 3 years all over the world. QLab is truly one of those "how did I ever get along without it" items.
Qlab 3 license software#
Just one final thing next time you go to the theatre have a look what software the sound engineer is using, if they have a mac it will have Qlab on it! The free version is great for amateur groups for simple audio playback. The software is expensive, but is aimed at professionals and does much more than cheeper alternatives. However they now have some great tutorials on the website, I would suggest watching these before you start using the software as it covers the basics well. For example cross fading tracks into each other. The only negative is some of the more simple commands can take a while to get your head around. The software not only plays back the sound file, but also sends midi commands to the desk to raise the fader and lower the fader when the sound has stopped playing. The free version is great! I used this for ages but finally upgraded to the pro version just because I wanted to use the midi integration. I have used this for our amateur theatre group for the last 3 years and it works flawlessly.
Qlab 3 license update#
Fade cues will now update their audio effects properly if their target is changed.Performance improvements when editing the text of a compiled Script cue.A regression in 4.6.10 that prevented setting certain color values using the sliders in the Text cue color picker.
Qlab 3 license Patch#
As with other text editors, you can press theĮscape key to move focus out of the text editor and restore the ability to move to the next and previous inspector tabs with these commands.
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